I wanted to post the results of my second class taken at Bead Fest, and enameling class with
Gail Crosman Moore.
I have to say that Gail was a phenomenal teacher--her enthusiasm is infectious! She made me feel like I could actually have fun and experiment, rather than being worried if I was going to be able to make anything worth bragging about!
I have never played with enamels before, even with my lampwork. I own a small bottle of Orchid from Thomson Enamels, which I have never opened. So I was really walking in with no experience, but we were going to be able to play with a torch, and that is right up my alley!
Like any new technique, there was a learning curve...I figured out pretty quick that some of the components wouldn't work as good as the others...and I realized I needed to be more generous with my heat. You can see some of the pieces that didn't turn out so well below.
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It's a learning curve, right? |
Now a few, I really loved. While they aren't at the point where I would use them in a piece of jewelry I plan on selling, I can see the definite improvement from the first few pieces I wrestled with.
Now, for the ugly. I mean, really ugly.
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Non-intentional fiber art? |
That, my friends, is what you get when you drop a hot brass component on a piece of carpeting. Or maybe it's a new type of component: the polyester-glazed bead. What the above was supposed to look like was more like this:
That's a little bit prettier. And a lot less furry.